Adolphe Adam

Adolphe Charles Adam (July 24, 1803 – May 3, 1856) was a French composer and music critic. A prolific composer of operas and ballets, he is best known today for his ballets Giselle (1844) and Le Corsaire (1856, his last work), his operas Le postillon de Lonjumeau (1836), Le toréador (1849) and Si j'étais roi (1852, often regarded as his finest work), and his Christmas carol Minuit, chrétiens! (O Holy Night) (1847). Adam was also a noted teacher. Léo Delibes was among his pupils. Adolphe Adam was born in Paris to Louis Adam (1758-1848), who was also a composer, as well a professor at the Paris Conservatoire. His mother was the daughter of a physician. As a child, Adolphe Adam preferred to improvise music on his own rather than study music seriously. He entered the Paris Conservatoire in 1821, where he studied organ and harmonium under the celebrated opera composer François-Adrien Boïeldieu. Adam also played the triangle in the orchestra of the Conservatoire; however, he did not win the Grand Prix de Rome and his father did not encourage him to pursue a music as a career. By the age of 20, he was writing songs for Paris vaudeville houses and playing in the orchestra at the Gymnasie Dramatique, where he later became chorus master. Like many other French composers, he made a living largely by playing the organ. In 1825, he helped Boïeldieu prepare parts for La dame blanche and made a piano reduction of the score. He was able to travel through Europe with the money he made, and he met Eugène Scribe, with whom he later collaborates, in Geneva. By 1830, he had completed twenty-eight works for the theatre. Adam is probably best remembered for the ballet Giselle (1841). He wrote several other ballets and 39 operas, including Le postillon de Lonjumeau (1836) and Si j'étais roi (1852). After quarreling with the director of the Opéra, Adam invested his money and borrowed heavily to open a third opera house in Paris: the Théâtre National. It opened in 1847, but closed because of the Revolution of 1848, leaving Adam with massive debts. His efforts to extricate himself from these debts include a brief turn to journalism. From 1849 to his death in Paris, he taught composition at the Paris Conservatoire. His Christmas carol "Cantique de Noël", often known by its English title "O Holy Night", has become an international favourite and may have been the first music broadcast on radio [1]. Adolphe Adam is buried there in the Cimetière de Montmartre (Montmartre Cemetery). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Classical french romantic opera ballet



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O Holy Night
Giselle: Act I: Variation de Giselle
Giselle: Valse
Giselle: Andantino
O Holy Night (Arr. John Rutter)
Giselle / Act 2: Grand pas de deux: Adage
Giselle: No. 21 - Andante
O Helga Natt (Adams Julsång)
Giselle: Act II: Variation 1: Andante
O Holy Night (Cantique de Noel)
O Holy Night (Minuit chrétien)
Giselle, Act 1: Giselle's Variation
O Holy Night (Cantique de Noel) - Orchestral Version
O Holy Night - Voice
Giselle: Andante
Giselle: Act I: Andante
Cantique De Nöel (O Holy Night)
Giselle: No. 9 - Finale
Giselle: Act II: Valse
Giselle: Act II: Entree d'Hilarion
Giselle: Act I: Introduction
Giselle / Act 2: No. 15 Grand pas de deux: a) Andante
O Helga natt (Cantique de Noel, O Holy Night): Cantique de Noel
Giselle, Act 1: Overture
Giselle: Act II: Apparition de Giselle (Apparition of Giselle)
O helga natt
Giselle, Act 1: No. 1 Pheasants' Entrance, Entrance of Hilarion
Giselle, Act 1: Peasant Pas de Deux - Adage, pas de deux
Giselle: Act I: Pas seul - Pas de deux des jeunes paysans
Giselle: Act I: Polacca
Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion
Giselle: Act I: Entree joyeuse des vendangeurs et vendangeuses (Entry of the Grape-Pickers)
Giselle: Giselle's variation
Giselle: No. 1 - Allegro
Giselle: Act I: Entree de Loys
Giselle / Act 1: No. 1 Les Vendangeurs
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return)
O Holy Night / Ave Maria (feat. Lexi Walker)
Giselle: Act II: Entree du Prince et apparition de Giselle (The Prince Enters, Sees the Spectre of Giselle)
Giselle, Act 1: Galop général - Girlfriends’ Dance, Ensemble Dance
Giselle, Act 2: No. 14 Giselle’s Entrance and Variation
Giselle: Act I: Allegretto
Giselle, Act 1: No. 2 Albrecht's Entrance
Giselle: Act II: Finale
Giselle: Act I: Entree de Giselle
Giselle, Act 1: No. 5 Mother looks for Giselle, and tells her and the peasants of the legend of the dangerous spirits of the forest
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex
Giselle / Act 1: Introduction
Giselle: Act I: Marche des vignerons (Grape-Pickers' March)
Giselle / Act 1: No.7a Variation de Giselle

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