Carl Ditters von Dittersdorf

August Carl Ditters von Dittersdorf (1739–1799) was an Austrian composer and violinist. He was born on 2nd November 1739 in Vienna as Carl Ditters. His father was a military tailor, serving in Austrian Imperial Army of Karl VI, in a number of German-speaking regiments. Having retired successfully from his martial obligations, he was provided with Royal Letters of Reference and a sinecure with the Imperial Theatre. In 1745, the six-year-old August Carl was introduced to the violin and his father's moderate financial position allowed him to take violin lessons. By 1750, August Carl had obtained a post with the Viennese Schottenkircheorchestra. Prince Joseph Friedrich von Sachsen-Hildburghausen noticed him and hired him for his court orchestra. At the princely demesne he studied violin with Francesco Trani and composition with Giuseppe Bonno; and it was during this period that he became acquainted with Gluck and Joseph Haydn. In 1761 he was made violinist for the Imperial Theatre, and in 1763 he traveled to Bologna with Gluck. It was this "Italian Tour" that left the greatest impression on his musical opus, as his early compositions are Gluckian in structure but do not exhibit the profound courtly style then popular in Germany and Austria. Ditters' early work was a prefiguration of his serious output that was to come in later years - an almost Italianate style focused on melodic development without the overt flourishes characteristic of le style français. In 1764 Ditters assumed the post of Kapellmeister at the court of Adam Patachich, Hungarian nobleman and Bishop of Grosswardein (Oradea, Romania). The following year he was introduced to Prince-Bishop of Breslau, whose wish was to create a cultural centre around his court at castle Johannesberg in Javornìk, (located in the today's Czech Republic). In 1771 Ditters accepted the post of Hoffkomponist (court composer); and it was during his tenure at Johannesberg that most of his creative output was produced. Over the next twenty years, he composed symphonies, chamber music, and opere buffe. In 1773 the prince-bishop made Ditters Amtshauptmann of nearby Freiwaldau, one of several measures to help entice the cosmopolitan composer to remain at isolated Johannesberg. Since this new post required a noble title, Ditters was sent to Vienna and received a noble title von Dittersdorf. In 1794, after twenty-four years at Johannesberg, von Dittersdorf experienced a serious clash with von Schaffgotsch and was expelled from the palace. Next year he was invited by Baron Ignaz von Stillfried to live at his spare castle in southern Bohemia. His final decade was occupied with overseeing operatic productions and with compiling and editing his own music for publication. With the exception of his pieces for the double bass, his works are seldom performed today. He was well known in his day, though, and is still considered an important composer of the Classical era. After some early Italian opera buffa, he composed a number of German Singspiele, with Der Apotheker und der Doktor (1786, generally known today as Doktor und Apotheker) in particular being a tremendous success in his lifetime, playing in houses all over Europe. His symphonies (around 110 of them) are also considered fine pieces with their folk-like melodies and witty passages; they include twelve based on Ovid's Metamorphoses (six of which have survived to the present day). He also wrote oratorios, cantatas, concertos (including two for the double bass and one for the viola), chamber music, piano pieces. and other works. His memoirs, Lebenbeschreibung, were published in Leipzig in 1801. He died in Neuhof, Bohemia on 24th October 1799. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Classical austrian instrumental symphony composer



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Symphony No. 4 in F major, Die Rettung der Andromeda durch Perseus (The Rescuing of Andromeda by Perseus): I. Adagio non molto
Symphony No. 1 in C major, Die 4 Weltalter (The 4 Ages of the World): I. Larghetto
Symphony No. 4 in F Major, Die Rettung der Andromeda durch Perseus (The Rescuing of Andromeda by Perseus): II. Presto
Symphony No. 4 in F Major, Die Rettung der Andromeda durch Perseus (The Rescuing of Andromeda by Perseus): III. Larghetto
Harp Concerto in A major: 3. Rondeau: Allegretto
Symphony No. 4 in F Major, Die Rettung der Andromeda durch Perseus (The Rescuing of Andromeda by Perseus): IV. Finale: Vivace - Tempo di minuetto
III. Minuetto: Moderato
Symphony No. 4 in F Major, Die Rettung der Andromeda durch Perseus (The Rescuing of Andromeda by
II. Presto
Harp Concerto in A major: 2. Larghetto
Concerto in E major for Double-bass and Orchestra: 1. Allegro
String Quintet No. 3 in C major: I. Allegro molto
Allegro
Symphony No. 1 in C Major, Die 4 Weltalter (The 4 Ages of the World): III. Minuetto con garbo
Harp Concerto in A major: II. Larghetto
Partita in F Major for Wind Quintet: IV. Adagio
Concerto for Oboe and Orchestra in G major: 1. Maestoso
Harp Concerto in A major: 1. Allegro molto
Hercule changé en Dieu: II. Adagio non troppo
Concerto for Oboe and Orchestra in G major: 2. Adagio
Presto non troppo
Concerto for Oboe and Orchestra in G major: 3. Allegro
Symphony No. 1 in C major, Die 4 Weltalter (The 4 Ages of the World): IV. Finale: Prestissimo - Allegretto
Symphony No. 4 in F Major, Die Rettung der Andromeda durch Perseus (The Rescuing of Andromeda by P
Oboe Concerto in D Minor, L. 25b: II. Adagio
Symphony No. 1 in C Major, Die 4 Weltalter (The 4 Ages of the World): II. Allegro e vivace
Oboe Concerto in D Minor, L. 25b: I. Allegro
Concerto in E major for Double-bass and Orchestra: 3. Allegro
Concerto in E major for Double-bass and Orchestra: 2. Adagio
Oboe Concerto in C Major, L. 39: I. Allegro
Concerto for Double Bass No. 2 in E Major: I. Allegro moderato
Andantino G-Dur für Oboe und Streicher
Symphony No. 6 in A Major, Verwandlung des lycischen Bauern in Frosche (The Transformation of the Lycian Peasants into Frogs): I. Allegretto non troppo presto
Harp Concerto in A major - Arr. Karl Hermann Pillney (1896-1980): 3. Rondeau. Allegretto
Symphony No. 2 in D Major, Der Sturz Phaetons (The Fall of Phaeton): II. Andante
Oboe d'amore Concerto in A Major, L. 43b: II. Adagio
Symphony No. 6 in A Major, Verwandlung des lycischen Bauern in Frosche (The Transformation of the Lycian Peasants into Frogs): III. Minuetto: Moderato
Symphony No. 6 in A Major, Verwandlung des lycischen Bauern in Frosche (The Transformation of the Lycian Peasants into Frogs): II. Adagio, ma non molto
Sinfonia Concertante for Viola, Double Bass and Orchestra: I. Allegro
Oboe Concerto in D Minor, L. 25b: III. Allegro assai
III. Minuetto ma allegro assai
Oboe Concerto in C Major, L. 39: II. Largo
1. Allegro
Symphony No. 6 in A Major, Verwandlung des lycischen Bauern in Frosche (The Transformation of the Lycian Peasants into Frogs): IV. Finale: Adagio - Vivace, ma moderato
Symphony No. 2 in D Major, Der Sturz Phaetons (The Fall of Phaeton): I. Adagio non molto - Allegro
Oboe d'amore Concerto in A Major, L. 43b: I. Moderato
Adagio
Symphony No. 5 in D Major, Die Versteinerung der Phineus und seiner Freunde (The Petrification of Phineus and his friends): II. Allegro assai
Symphony No. 5 in D Major, Die Versteinerung der Phineus und seiner Freunde (The Petrification of Phineus and his friends): III. Andante molto
Oboe Concerto in C Major, L. 39: III. Tempo di minuetto

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