Francis Poulenc

Francis Jean Marcel Poulenc (January 7, 1899 - January 30, 1963) was a French composer and a member of the French Group Les Six. He was a Parisian by birth and death, and always preferred the city to the country. His mother, an amateur pianist, taught him to play, and music formed a part of family life. Poulenc was a member of Les Six, a group of young French composers, Darius Milhaud, Georges Auric, Louis Durey, Arthur Honegger and Germaine Tailleferre, who also had links with Erik Satie and Jean Cocteau. He embraced the Dada movement's techniques, creating melodies that would have been appropriate for Parisian music halls. An outstanding pianist, Poulenc featured the keyboard in many of his early compositions. He also, throughout his career, borrowed from his own compositions as well as those of Mozart and Camille Saint-Saëns. He composed music in all major genres, including art song, chamber music, oratorio, opera, ballet music and orchestral music. Among Poulenc's last series of major works is a series of works for Winds and Piano. He was particularly fond of the woodwind instruments, and planned a set of sonatas for all of them, yet only lived to complete four: the Flute Sonata (1956), and sonatas for oboe, clarinet and horn. Poulenc's Rapsodie nègre (1917), written for baritone, piano, string quartet, flute, and clarinet, sets nonsense syllables purportedly by a black Liberian poet. The piece, dedicated to Erik Satie, kept him out of the Paris Conservatoire, composition teacher Paul Vidal saying, according to Poulenc, "Your work stinks, it's inept, infamous balls... Ah! I see you're a follower of the Igor Stravinsky and Erik Satie gang. Well, goodbye!" Stravinsky, hearing of this story, arranged to have the piece printed. Later in his life, the loss of some close friends, coupled with a pilgrimage to the Black Madonna of Rocamadour, led him to rediscovery of his faith and resulted in compositions of a more sombre, austere tone. His opera, Les Dialogues des Carmelites was written at this time. France Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Nocturnes n°7 en mi majeur
Poulenc: Cello Sonata, FP 143: II. Cavatine
Mélancolie, FP 105
Nocturne No. 7 in Eb Major, FP. 56
Cappricio
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live
Nocturnes n°4 en ut mineur
Sanglots
Stabat Mater dolorosa
Trois Mouvements perpétuels, FP 14: I. Assez modéré
Laudamus te
O quam tristis
Andante
Bagatelle in D minor for violin and piano
15 Improvisations, FP 170: No. 13 in A Minor
Eja Mater
Allegro con fuoco
Improvisation No. 7 in C Major. Modéré sans lenteur, FP 63 No. 7
O Magnum Mysterium
Trois Mouvements perpétuels, FP 14: II. Très modéré
Intermezzo No.3 in A-Flat Major, FP 118
Nocturne No. 1 in C Major, FP 56
Trois Mouvements perpétuels, FP 14: III. Alerte
Nocturne in Eb Major, FP. 56 No. 7
Cujus animam gementem
Two motets from Motets pour un temps de pénitence - 2. Timor et tremor
Couplets bachiques
Suite française d'après Claude Gervaise, FP 80b: I. Bransle de Bourgogne
Suite française d'après Claude Gervaise, FP 80b: II. Pavane
Sonata for Four Hands, FP 8: I. Prelude
Suite française d'après Claude Gervaise, FP 80b: III. Petite marche militaire
Mélancolie
Suite française d'après Claude Gervaise, FP 80b: IV. Complainte
愛の小径
Suite française d'après Claude Gervaise, FP 80b: V. Bransle de Champagne
Two motets from Motets pour un temps de pénitence - 1. Vin
Quando corpus
Poulenc: Concerto for 2 Pianos in D Minor, FP 61: II. Larghetto
Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne
Suite française d'après Claude Gervaise, FP 80b: VII. Carillon
Sarabande for guitar, FP 179
Acte 2: Tango
Cello Sonata, FP 143: Cavatine: Tres calme
Fac ut ardeat
Quem Vidistis Pastores Dicite
Quatre Poèmes de Guillaume Apollinaire, FP 58: I. L'Anguille
Gymnopedie, No. 1
Gloria in excelcis Deo
Quatre Poèmes de Guillaume Apollinaire, FP 58: II. Carte postale
Quatre motets pour le temps de Noël, FP 152: III. Videntes stellam

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