Gavin Bryars

Richard Gavin Bryars (born 1943) is an English composer and double bassist. He has been active in (or has produced works in) many varied styles of music, including jazz, free improvisation, minimalism experimental music, avant-garde, neoclassicism, and ambient. Born in Goole, East Riding of Yorkshire, England, Bryars initially studied philosophy at Sheffield University before studying music for three years. The first musical work for which is he remembered was his role as bassist in the trio Joseph Holbrooke, alongside guitarist Derek Bailey and drummer Tony Oxley. The trio began by playing relatively traditional jazz before moving into free improvisation. However, Bryars became dissatisfied with this when he saw a young bassist (later revealed to be Johnny Dyani) play in a manner which seemed to him to be artificial, and he became interested in composition instead. Bryars's first works as a composer owe much to the so-called New York School of John Cage (with whom he briefly studied), Morton Feldman, Earle Brown and minimalism. His first known work as a composer, The Sinking of the Titanic (1969), is quite an indeterministic work which allows the performers to take a number of sound sources related to the sinking of the RMS Titanic and make them into a piece of music. The 1994 recording of this piece was made famous to a whole new audience via its promo single featuring the Aphex Twin remix "Raising the Titanic" (later collected on his 26 Mixes for Cash album). A well known early work is Jesus' Blood Never Failed Me Yet (1971), which has as its basis a recorded loop of a tramp improvising a hymn of that name. On top of that loop, rich harmonies played by a live ensemble are built, always increasing in density, before the whole thing gradually fades out. A new recording of this work was made in the 1990s with Tom Waits singing along with the original recording of the tramp during the final section. Bryars was a founding member of the Portsmouth Sinfonia, an orchestra whose membership consisted of performers who "embrace the full range of musical competence" - and who played (or attempted to play) popular classical works. Its members included Brian Eno, whose Obscure Records label would subsequently release works by Bryars. In one of the first three releases from the label, Brian Eno's album Discreet Music, Bryars conducted and co-arranged the three pieces "Three Variations on the Canon in D Major by Johann Pachelbel" which constitute the second half of the album. Bryars's later works have included A Man In A Room, Gambling (1997), which was written on commission from BBC Radio 3 and Artangel. Bryars's music is heard beneath monologues spoken by the Spanish artist Juan Muñoz, who talks about methods of cheating at card games. The ten short works were played on Radio 3 without any introductory announcements, and Bryars is quoted as saying that he hoped they would appear to the listener in a similar way to the shipping forecast, both mysterious and accepted without question. Bryars has written a large number of other works, including three operas, and a number of instrumental pieces, among them three string quartets and several concertos. He has written several pieces for choreographers, including Biped (2001) for Merce Cunningham. Between 1981-1984 he participated in the CIVIL warS, a vast, never-completed multimedia project by Robert Wilson. Bryars founded the music department at Leicester Polytechnic (now De Montfort University), and taught there for a number of years. He lives in England, and, in the summer months, on the west coast of Canada. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

contemporary classical minimalism ambient experimental Classical



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Raising the Titanic (Big Drum mix)
The Vespertine Park
The Sinking of the Titanic
Jesus' Blood Never Failed Me Yet
Tramp and Tom Waits with Full Orchestra
My First Homage
Coda: Tom Waits with High Strings
Tramp with Orchestra IV (full strings)
Tramp with Orchestra I (string quartet)
Tramp with Orchestra III (no strings)
Tramp with Orchestra II (low strings)
'The Vespertine Park'
Titanic Hymn (Autumn) All Strings
Opening Part I
Hymn II
Hymn IV (Aughton)
Last Hymn
Raising The Titanic [Big Drum Mix]
Double Bass Concerto Farewell to St. Petersburg
Hymn III
Interlude
Coda
Tre Laude Dolce: I
Opening Part II
Titanic Lament
Raising The Titanic
Woodblocks
The Sinking of the Titanic: 10. Last Hymn
The English Mail-Coach
The Sinking of the Titanic: 2. Titanic Hymn (Autumn) All strings
Super flumina: Super flumina
Jesus' Blood Never Failed Me Yet: 1. Tramp with Orchestra (string quartet)
White's S.S.
Jesus' Blood Never Failed Me Yet: 5. Tramp and Tom Waits with full Orchestra
The Sinking of the Titanic: 1. Opening Part I
String Quartet No.2 (1990)
Hi-Tremolo
Prologue
One Last Bar Then Joe Can sing: (Bar 238) freely
The Sinking of the Titanic: 3. Hymn II
Sketch for Sub Rosa
Jesus' Blood Never Failed Me Yet: 6. Coda: Tom Waits with High Strings
A Little Drop Of Poison
Jesus' Blood Never Failed Me Yet: 3. Tramp with Orchestra (no strings)
The Archangel Trip
The Sinking of the Titanic: 4. Interlude
Super Flumina
Jesus' Blood Never Failed Me Yet: 2. Tramp with Orchestra (low strings)
Jesus' Blood Never Failed Me Yet: 4. Tramp with Orchestra (full strings)
Cello Concerto (Farewell to Philosophy): (Bar 426) (Farewell) a tempo

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