Heinrich Wilhelm Ernst

Heinrich Wilhelm Ernst (born January 1814 in Brünn (Moravia); died October 8, 1865 in Nice) was a Moravian-Jewish violinist and composer. Ernst was widely seen as the outstanding violinist of his time and Paganini's greatest successor. At the age of nine, Ernst began to study the violin. Ernst was a child prodigy, educated at the Conservatorium of Vienna, studying the violin under Joseph Böhm, and composition under Ignaz von Seyfried. In 1828, Ernst heard Paganini and became deeply impressed by his violin playing and adopted Paganini's virtuosic style. Later, Ernst challenged Paganini by playing the latter's Nel cor pìu non mi sento with an accuracy that stunned both the audience and Paganini himself. Like Paganini, Ernst composed his own set of variations on the theme Carnaval de Venise which he often played at the end of his concert. This piece was most popular among Ernst's audience everywhere where he played, and it became his signum. All his professional life, he was on tour around Europe playing concerts and also composed many violin pieces and formed his own style. In the end of Ernst's life, his health broke down owing to long-continued neuralgia of a most severe kind that made him unable to play. The last seven years of his life were spent in retirement, chiefly at Nice, where he spent time composing, e. g. the Polyphonic Studies. Ernst died in Nice on the 8th of October 1865. Though Ernst was a highly esteemed artist in his days, he is today half-forgotten. Ernst was widely seen as the superior violinist of his time and Paganini's greatest successor. Not only did he develop the polyphonic playing, but he also discovered new idiomatic ways to compose polyphonically conceived violin music to a degree that is unprecedented to this day. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Classical composer classic composers 19th century



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Grand Caprice on Schubert's Der Erlkönig, Op. 26
Der Erlkönig - Grand Caprice, Op. 26
Grand Caprice on Schubert's Der Erlkönig, Op. 26. Presto
The Last Rose of Summer Étude No. 6
Violin Concertino in D major, Op. 12
Elegie sur la mort d'un objet cheri, Op. 10
Ernst: Grand Caprice on Der Erlkönig, Op. 26 (After Schubert) [Arr. Ernst]
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig)
Ernst: Grand Caprice, Op. 26 (After Schubert's Der Erlkönig, D. 328)
Der Erlkonig
The Last Rose of Summer, Polyphonic Study No. 6: Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale
Nocturne posthume in A-Flat Major
Der Erlkönig - Grand Caprice, Op. 26: Der Erlkönig - Grand Caprice, Op. 26
Etude No. 6, Variations On The Last Rose Of Summer
6 Polyphonic Studies: No. 6, Concert Variations on the Irish Air The Last Rose of Summer
Erlkönig: Caprice für Violine allein nach der Ballade von Franz Schubert Op. 26
Fantaisie Brillante sur la Marche et la Romance d'Otello de Rossini, Op. 11
The Last Rose of Summer Polyphonic Study No. 6
Variations on The Last Rose of Summer
Fantaisie brilliante sur l'opera 'Otello' de Rossini, Op. 11
Rondo Papageno, Op. 21
The Last Rose of Summer, Etude No. 6: The Last Rose of Summer, Etude No. 6
Violin Concerto in F sharp minor, Op. 23, Concerto Allegro-Pathetique
Fantaisie brillante on Rossini's Othello, Op. 11
Grand Caprice sur Le Roi des Aulnes de F. Schubert, Op.26, D.328: Presto
6 Mehrstimmige Studien (6 Polyphonic Studies): Etude No. 6 in G Major, Die letze Rose (The Last Rose of Summer): Moderato
Trio pour un violin
The Last Rose of Summer, Etude No. 6
6 Mehrstimmige Studien (6 Polyphonic Studies): Etude No. 1 in F Major: Rondino scherzo
L'art de phraser, Op. 16: No. 14 in D-Flat Major (arr. H.W. Ernst for violin and piano)
Le Carnaval de Venise, Op. 18, Variations burlesques sur la canzonetta Cara mia mamma
6 Mehrstimmige Studien (6 Polyphonic Studies): Etude No. 4 in C Major: Allegro risoluto
Variations brilliantes sur un Theme de Rossini, Op. 4
6 Mehrstimmige Studien (6 Polyphonic Studies): Etude No. 5 in E-Flat Major: Air de Ballet
Romanze in A-Flat Major (An Madam Clara Schuman) [After Ernst's Pensées fugitives No. 2]
6 Mehrstimmige Studien (6 Polyphonic Studies): Etude No. 2 in A Major: Allegretto
Concert Variations on “The Last Rose of Summer”
Sechs mehrstimmige Etuden: Etude VI Die letzte Rose (The Last Rose)
Elegie, Op. 10 (arr. for violin and piano)
6 Mehrstimmige Studien (6 Polyphonic Studies): Etude No. 3 in E Major: Terzetto
Grand Caprice on Franz Schuberts Der Erlkönig, Op. 26
6 Études à plusieurs parties: No. 6f, Var. 4
Elegie sur la mort d'un objet cheri (with Introduction by L. Spohr)
Sechs mehrstimmige Etuden: Etude VI. Die letzte Rose (The Last Rose of Summer)
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig): Grand Caprice: Schubert - Der Erlkonig, Op. 26
The Last Rose of Summer
Fantaisie Brillante sur la Marche et la Romance d'Otello de Rossini, Op. 11 (version for violin and piano)
3 Valses non dansantes: No. 3 in D-Flat Major
Carnival in Venice
6 Études à plusieurs parties: No. 6b, Thema The Last Summer Rose

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