Herbert Howells

Herbert Norman Howells CH, CBE (1892–1983) was an English composer, organist, and teacher, most famous for his large output of Anglican church music. Howells was born on the 17th October 1892 in Lydney, Gloucestershire, and was the youngest of six children. His father was an amateur organist, and Herbert showed early musical promise. He studied first with Herbert Brewer at Gloucester Cathedral, as an articled pupil alongside Ivor Novello and Ivor Gurney, the celebrated English songwriter and poet, with whom he became great friends. A September 1910 concert in Gloucester Cathedral included the premiere of a mysterious new work by the yet little-known Ralph Vaughan Williams. Howells not only made the composer's personal acquaintance that evening, but (as he often recounted) the piece, the Fantasia on a Theme by Thomas Tallis, profoundly moved him. Later he studied at the Royal College of Music under C.V. Stanford, Hubert Parry, and Charles Wood. In 1915 he was diagnosed with Graves' disease and given six months to live. Since doctors believed that it was worth taking a chance on a previously untested treatment, he became the first person in the country to receive radium treatment. He was briefly assistant organist at Salisbury Cathedral in 1917, though his severe illness cut this appointment short. Friends then arranged for a grant from the Carnegie United Kingdom Trust, under which Howells would assist Richard Runciman Terry in editing the voluminous Latin Tudor repertoire that he and his choir were reviving at Westminster Cathedral. Although they were envisioning an undemanding sinecure, Howells took great interest in this work, absorbing the English Renaissance style which he loved and would evoke in his own compositions, and continued it until joining the faculty of the Royal College of Music in 1920. During World War II, he served as acting organist of St John's College, Cambridge. He died on the 23rd February 1983. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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A Spotless Rose
Requiem: Salvator mundi
Sing Lullaby
Requiem aeternam (1)
Like as the hart
Take him, earth, for cherishing
Elegy, Op. 15
Magnificat
Magnificat and Nunc Dimittis Collegium Regale: Magnificat
Requiem: Psalm 23
Here is the little door
Requiem aeternam I
An English Mass: I. Kyrie
Requiem: Psalm 121
All my hope on God is founded (Michael: A Fanfare Setting)
Magnificat And Nunc Dimittis
Requiem: Requiem aeternam I
Long, Long ago
Requiem: I Heard a Voice from Heaven
Te Deum and Jubilate Collegium Regale: Te Deum
Pastoral Rhapsody
Traditional: A Spotless Rose
4 Anthems: No. 3, Like as the Hart
Summer Idyls: I. Meadow-Rest
Requiem for 4-8 Part Choir a Cappella and Four Solo Voices: IV. Psalm 12
Services. 'Collegium Regale' - Canticles (1944) / Evensong: Magnificat
King David
Requiem: I. Salvator mundi
Paean for Organ
Magnificat & Nunc Dimittis: Magnificat - Collegium Regale
Requiem aeternam (2)
Nunc dimittis
Services. 'Collegium Regale' - Canticles (1944) / Evensong: Nunc Dimittis
All my hope on God is founded
Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15: Quasi Lento, teneramente
Requiem aeternam II
Take him, earth, for cherishing: Take Him, Earth, for Cherishing
Gloucester Service: I. Magnificat
A Hymn for St. Cecilia
Phantasy
Magnificat and Nunc dimitis, St. Paul's: Nunc dimittis
A Spotless Rose (Live): A Spotless Rose
A Hymn For St Cecilia
My Eyes For Beauty Pine
Requiem: Requiem aeternam II
Gloucester Service: Magnificat
Concerto for String Orchestra: III. Allegro vivo
Magnificat, St. Paul's
Cello Concerto: II. Threnody. Lento calmato - Assai teneramente
The Chosen Tune

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