Jascha Heifetz

Jascha Heifetz (2 February 1901 – 10 December 1987) was a violinist widely regarded as the greatest violinist of the 20th Century. Heifetz made his first commercial recording on 7 November 1917. Throughout his career, he continued to record, almost always for RCA Victor. He had an immaculate technique and expressive vibrato. From time to time, his near-perfect technique and conservative stage demeanor caused some to accuse him of being overly mechanical, even cold. Even so, most critics agree he infused his playing with feeling and reverence for the wishes of the composers. His style of playing was highly influential in defining the way modern violinists approach the instrument. His use of portamento in particular, sliding from one note to another to heighten emotional impact, was highly distinctive. The violinist Itzhak Perlman, who himself is noted for his own expressive use of slides, once described Heifetz's tone as like "molten lava" because of its emotional intensity. Heifetz often enjoyed playing chamber music. Various critics have blamed his limited success in chamber ensembles to the fact that his artistic personality tended to overwhelm his colleagues. Some notable collaborations include his 1940 recordings of trios by Beethoven, Schubert, and Brahms with cellist Emanuel Feuermann and pianist Arthur Rubinstein as well as a later collaboration with Rubinstein and cellist Gregor Piatigorsky, with whom he recorded trios by Ravel, Tchaikovsky, and Mendelssohn. Heifetz commissioned a number of pieces, perhaps most notably the Violin Concerto by Sir William Walton. He also arranged a number of pieces, such as Hora Staccato by Grigoraş Dinicu, a Romanian gypsy whom Heifetz is rumoured to have called the greatest violinist he had ever heard. He wrote a hit song, "When you make love to me, don't make believe", under the alias Jim Hoyl. Heifetz was also an accomplished pianist, even performing mess hall jazz for soldiers at Allied camps across Europe during the Second World War. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Henryk Szeryng

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Itzhak Perlman

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Air on a G String (Bach)
Zigueunerweisen, Op. 20: Sarasate-Zigueunerweisen, Op. 20
Violin Concerto No. 4 in D minor, Op. 31: Scherzo: Vivace & Trio
Violin concerto in A major, K. 219, Turkish: Rondeau, Tempo di Menuetto (Mozart)
Triakontameron, 30 Moods and Scenes in Triple Measure: No. 11. Alt-Wien (arr. by J. Heifetz for violin and piano)
Violin Concerto No. 2 in D minor, Op. 22: Allegro moderato
Valse Bluette (Drigo)
Caprice No. 24 In a Minor (Paganini)
Suite in A minor, Op. 10: Adagio (Sinding)
Ronald Colman introduces Jascha Heifetz
Violin concerto in A major, K. 219, Turkish: Allegro aperto (Mozart)
3 Preludes (arr. J. Heifetz): No. 1. Allegro ben ritmato e deciso
Lionel Barrymore Introduces Jascha Heifetz
Flight of the Bumble-Bee (Rimsky-Korsakov)
3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso
English Suite No. 3 in G Minor, BWV 808: IV. Sarabande (arr. for violin and piano)
Londonderry Air, Farewell to Cucullain (arr. J. Heifetz for violin and piano)
Deep River (arr. J. Heifetz for violin and piano)
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel: Allegro moderato - Redbook Stereo
Triakontameron: No. 11. Alt-Wien (arr. for violin and piano)
Porgy and Bess (arr. J. Heifetz): Act I: Summertime - A Woman is a Sometime Thing
Introducing Mr. Heifetz and Mr. Steinberg
Hora Staccato
Violin concerto in A major, K. 219, Turkish: Adagio (Mozart)
Estrellita (arr. J. Heifetz for violin and piano)
Chaconne in G Minor
Waves at Play (Grasse)
3 Preludes (arr. J. Heifetz): No. 2. Andante con moto e poco rubato
Partita No. 2, BWV 1004, in D Minor: Chaconne
Hora staccato (Take 1) [Arr. for Violin & Piano]
Intermezzo (Provost)
Romeo And Juliet, Op. 64: V. Masks (Arr. J. Heifetz)
Jamaican Rhumba (Benjamin)
Hora Staccato (Dinicu / Heifetz)
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio - Redbook Stereo
Old Folks at Home (arr. J. Heifetz for violin and piano)
Allegretto espressivo alla Romanza from the Sonata in C minor, Op. 45 (Grieg)
Contemplation (After Brahms' Op. 105 No. 1)
Porgy and Bess (arr. J. Heifetz for violin and piano): I. Summertime - A Woman is a Sometime Thing
Sonata No. 1, BWV 1001, in G Minor: Adagio
Sonata No.1 in G minor BWV1001 (1992 Digital Remaster): II. Fuga (Allegro)
Concerto No. 2 in D minor, Op. 22: Third Movement; Allegro moderato (Alla Zingara) (Wieniawski)
Porgy and Bess - It Ain't Necessarily So
Violin Concerto in D Major, Op. 77: II. Adagio
Sonata No.1 in G minor BWV1001 (1992 Digital Remaster): III. Siciliano
Violin Concerto in D, Op. 77: Adagio
Jim Jives (Bennet)
Violin Concerto No. 5, K.219, in A Turkish: Allegro aperto
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico - Redbook Stereo
Violin Concerto in D, Op. 35: Allegro modertao-Cadenza

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