Johann Kaspar Mertz

Johann Kaspar Mertz (August 17, 1806 - October 14, 1856) was a Hungarian guitarist and composer. János Gáspár Mertz was born in Pozsony, Hungary. He was active in Vienna (c.1840~1856), which had been home to various prominent figures of the guitar, including Anton Diabelli, Mauro Giuliani, Wenceslaus Matiegka and Simon Franz Molitor. A virtuoso, he established a solid reputation as a performer. He toured Moravia, Poland, and Russia, and gave performances in Berlin and Dresden. In 1846 Mertz nearly died of an overdose of strychnine that had been prescribed to him as a treatment for neuralgia. Over the following year he was nursed back to health in the presence his wife, a concert pianist, Josephine Plantin whom he married in 1842. Some speculation may lead one to the conclusion that listening to his wife performing the Romantic piano pieces of the day during his period of recovery may have had an influence on the sound and unusual right hand technique he adopted for the Bardenklange (Bardic Sounds) Op.13. Mertz's guitar music, unlike that of most of his contemporaries, followed the pianistic models of Chopin, Mendelssohn,Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani). The Bardenklänge (1847) are probably Mertz's most important contribution to the guitar repertoire—a series of deceptively difficult character pieces in the mould of Schumann. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Classical romantic composer classical guitar guitar



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Mazurka, Op. 40 (version for 2 guitars)
Bardenklange, Op. 13: Unruhe (Restlessness)
Bardenklange, Op. 13: Book 3: No. 3. Capriccio
Bardenklange, Op. 13: Elfenreigen (Dance of the Elves)
Barden-klänge (30), For Guitar, Op. 13
Elegie
Bardenklange, Op. 13: Capriccio
Tarantella
Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave)
Bardenklänge, Op. 13: Unruhe (Restlessness)
Fingals Hohle (Fingal's Cave)
Elegie: Elegy
Bardenklänge, Book 3: No. 1, An die Entfernte
Mazurka
Bardenklänge, Op. 13: Tarantelle
Standchen (Serenade)
Bardenklange, Op. 13: Variations mignonnes
Élégie, For Guitar (from Bardenklänge), Op. 13
Barcarolle, Op. 41 (version for 2 guitars)
Bardenklange, Op. 13: Book 6: No. 1. Tarantelle
Deutsche Weise (German Air)
Bardenklänge, Op. 13: Romanze (Arr. for 12 String Guitar)
Schule für die Guitare - Arr. by Richard Wright and Peter Batchelar
Bardenklange, Op. 13: Romanze: Andante
Bardenklange, Op. 13: Etude
Romance
Liebeslied from Bardenklange
3 Morceaux, Op. 65: No. 1. Fantaisie hongroise
Hungarian Fantasy For Guitar
Bardenklange, Op. 13: An Malvina (To Malvina)
Bardenklange, Op. 13: Lied ohne Worte (Song without Words)
Bardenklange, Op. 13: Abendlied (Evening Song)
Nänien Trauerlieder: No. 1. Am Grabe der Geliebten (At the Grave of his Beloved)
Hungarian Fantasy
Bardenklange, Op. 13: Tarantelle
Bardenklänge, Op. 13: Fingals Hohle (Fingal's Cave)
Bardenklänge, Op. 13: Scherzo
Bardenklänge, Op. 13: An Malvina (To Malvina)
Bardenklange, Op. 13: Romanze: Moderato
Bardenklänge, Op. 13: Romanze: Andante
Bardenklänge, Op. 13: Capriccio
Bardenklänge, Op. 13: An Malvina
Bardenklange, Op. 13: Liebeslied (Love Song)
Bardenklange, Op. 13: Sehnsucht (Longing)
Fantasie hongroise, Op.65 No.1
Bardenklange, Op. 13: An die Entfernte (To My Distant One)
Bardenklänge, Op. 13: Romanze - Andante, cantabile
Bardenklange, Op. 13: Gondoliera
Bardenklange, Op. 13: Kindermarchen (Children's Story)
Bardenklange, Op. 13: Scherzo

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