Jordi Savall

Jordi Savall i Bernadet (born 1941, in Igualada, Catalonia) is a Catalan viol player and composer. He is one of the major figures in the field of early music since the 1970s, largely responsible for bringing the viol (viola da gamba) back to life on the stage. His repertory ranges from Medieval to Renaissance and Baroque music. Savall's musical training started in the school choir of his native town (1947-55). He later completed his training at the Barcelona Conservatory of Music (1959-65). Afterward, he began his specialisation in early music at the Schola Cantorum Basiliensis in Basel, Switzerland (1968-70). In 1974 he formed the ensemble Hespèrion XX (since 2000 as Hespèrion XXI), together with the soprano Montserrat Figueras (his wife), Lorenzo Alpert and Hopkinson Smith. Hespèrion XX favored a style of interpretation characterised by great musical vitality and at the same time, maximum historical accuracy. In 1987 he returned to Barcelona to found La Capella Reial de Catalunya, a vocal ensemble devoted to the interpretation of music prior to the 18th century. Finally, in 1989 Savall created Le Concert des Nations, an orchestra that is generally dedicated to the baroque repertoire, but which sometimes also serves as an outlet for music that hails from the classical/romantic repertoire (e.g. Sinfonia a Gran Orquesta by Juan Crisótomo de Arriga). Savall's discography includes more than 140 recordings. Since 1998 he has released his records with his own label, Alia Vox. Jordi Savall is also a two-time Grammy nominee, who scored the 1991 Alain Corneau film, Tous les matins du monde (also awarded the César of the French film industry in 1992). The soundtrack, re-released on his own Alia Vox label, has sold more than a million copies worldwide. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Sinanon Saran (Chant de griot)
Concerto I, en Fa Majeur, BWV 1046 - I. [Allegro]
Manden Mandinkadenou (Chant de griot)
Concerto III, en Sol Majeur, BWV 1048 - I. [Allegro]
Gavotte du Tendre (Sainte Colombe)
Folia: Rodrigo Martinez, 1490 - Improvisations D'Après Le Villancico Du CMP (Anonyme)
Le Badinage (M. Marais)
Première Suite: Prélude
Improvisation sur les Folies d'Espange (M. Marais)
Concerto I, en Fa Majeur, BWV 1046 - II. Adagio
L'Arabesque (M. Marais)
Prelude (Re Mineur) (Abel)
Tombeau pour Mr de Sainte Colombe (M. Marais)
Muzettes I-II (M. Marais)
Moaxaja: Billadi askara min aadbi Llama - Al-Andalus
Stella splendens
Troisieme Lecon De Tenebres A 2 Voix (F. Couperin)
Concerto II, en Fa Majeur, BWV 1047 - I. Allegro
Gallyard (Alberti)
The Musical Priest / Scotch Mary
Sonnerie De Ste Genevieve Du Mont-De-Paris (M. Marais)
Concerto I, en Fa Majeur, BWV 1046 - III. Allegro
Une jeune fillette (Melodie populaire - arrangement J. Savall)
Paavin Of Albarti (Alberti)
Lamento Della Ninfa - Lamento Della Ninfa
Invocación Qamti be-Ishon Layla (Cantar de los Cantares. Inspirado en Cantar 3, 1-4)
Improvisations sur les folies d'Espagne (extraits) (Marin Marais)
Preces: Penitentes orate - Plegaria mozárabe s. XI
Marche Pour La Ceremonie Des Turcs (J.B. Lully)
Francisco de Pealosa- Por las sierras de Madrid
Recercada Quarta Sobre La Folia, 1553 (Ortiz)
Concerto I, en Fa Majeur, BWV 1046 - IV. Menuetto & Trio - Polacca & Trio
Concerto III, en Sol Majeur, BWV 1048 - III. Allegro
Ductia (Instrumental) - Cantiga de Santa María (CSM 123) - Alfonso X El Sabio
Lachrimae Antiquae
Aria Burlesca (Re Mineur) (Schenck)
Recercada Ottava Sobre La Folia, 1553 (Ortiz)
Concerto II, en Fa Majeur, BWV 1047 - II. Andante
Concerto III, en Sol Majeur, BWV 1048 - II. Adagio
Concerto II, en Fa Majeur, BWV 1047 - III. Allegro assai
Concert A Deux Violes ``le Retour'' (Sainte Colombe)
The Humours of Scariff
Concerto IV, en Sol Majeur, BWV 1049 - I. Allegro
Romn- O voy (instrumental)
Concerto V, en Ré Majeur, BWV 1050 - I. Allegro
Prelude Pour Mr Vauquelin (J. Savall)
Les Nations - Premier Ordre - La Françoise; 1. Sonade
Concerto V, en Ré Majeur, BWV 1050 - II. Affettuoso
Pone- Torre de la nia
Folia: Hoy Comamos Y Bebamos, Vers. 1520 - Improvisations D'Après Le Villancico De Juan Del Enzina (Del Enzina)

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