Lucia Popp

Lucia Popp (Lucia Poppova) (November 12, 1939 - November 16, 1993) was a popular operatic soprano from Slovakia. "Miss, you're phenomenal!" cried the great Elisabeth Schwarzkopf upon hearing her for the first time. Lucia Popp made her debut in 1963 in Bratislava, and then appeared at the State Opera of Vienna, Austria, where she remained until her death. Popp began with magnificent portrayals of coloratura soprano roles, and as her career progressed, moved into the light-lyric, and then lyric, repertoire. Every movement gained her notable success. Popp is perhaps best known for her rendition of the Queen of the Night in the legendary 1963 recording of Wolfgang Amadeus Mozart's The Magic Flute directed by Otto Klemperer. Her incredible talent in this midst of the other impressive singers on the recording is still a wonderful reminder of a golden age of operatic singing. Her timbre - both round and warm - and her technique are well-loved by opera connoisseurs worldwide.[citation needed] One of the foremost interpreters of coloratura soprano roles since World War II, Popp has sung in the greatest theaters of the world, notably in Salzburg, Munich, and London. "Not really a scholar, but a theatrical sweetheart.", she described herself. Aside her singing, her warm and charming personalities were also lovingly remembered. She married twice. Her second husband was Peter Seiffert, a famous German tenor. She died of brain cancer suddenly. Besides the Queen of the Night, Popp is known for her performances as Susanna later the Contessa (The Marriage of Figaro), Pamina (The Magic Flute), Sophie later the Marschallin (R. Strauss' Der Rosenkavalier) and as Eva (Wagner's Die Meistersinger von Nurnberg). Her operetta performances were also highly praised. Because of her progressions in her career, she would sing various roles in the same opera in different stages: (to name but a few) Zdenka and Arabella (R. Strauss's Arabella), Susanna and Contessa (Mozart's Le Nozze di Figaro), Queen of the Night and Pamina (Mozart's Die Zauberflote), Zellina to Donna Elvira, later Donna Anna (Mozart's Don Giovanni), Adele and Rosalinde (J. Strauss II's Die Fledermaus), Annchen and Agathe (Weber's Der Freischutz), and Sophie and the Marschallin (R. Strauss's Der Rosenkavalier). Wikipedia Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

opera soprano Classical coloratura 20th Century



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Vesperae solennes de confessore, K. 339/Laudate Dominum
Non piu di fiori
Rusalka: Song To The Moon (Act I)
Peer Gynt - Incidental Music Op. 23: Anitra's Dance
Mozart: Così fan tutte, K.588 / Act 1 - Soave sia il vento
Four Last Songs: Beim Schlafengehn (conclusion)
Mozart: Don Giovanni, K 527 - Là Cia Darem La Mano
Die Zauberflöte K620, Act II: Ach, ich fühl's, es ist entschwunden (Pamina)
Die Zauberflöte K620, Act I: Bei Männern, welche Liebe fühlen (Pamina, Papageno)
Clarinet Concerto K.622: Laudate Dominum
Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): III. Beim Schlafengehen (Hesse)
Song to the Moon (Rusalka)
Soave sia il vento
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 3: Sull'aria
Dvorak / Song to the Moon (Rusalka)
Die Zauberflöte K620, Act I: Du feines Täubchen, nur herein! (Monostatos, Pamina, Papageno)
Die Zauberflöte, K.620 '(The) Magic Flute', Act II: Arie: Der Hölle Rache kocht in meinem Herzen (Königin)
DVORAK: SONG TO THE MOON (Rusalka)
Mozart: Don Giovanni, K.527 / Act 1 - Là ci darem la mano
Die Zauberflöte K620, Act I: Wie? Noch schlägt dieses Herz (Papageno, Pamina)
Song To The Moon
Die Zauberflöte K620, Act I: Schnelle Füße, rascher Mut (Pamina, Papageno, Monostatos)
Peer Gynt - Incidental Music Op. 23: In the Hall of the Mountain King
Die Zauberflöte K620, Act I: Könnte jeder brave Mann (Pamina, Papageno)
Die Zauberflöte K620, Act II: Morden soll ich? Das kann ich nicht! (Pamina, Monostatos, Sarastro)
Là ci darem la mano
Die Zauberflöte, K 620 - Act 2: Der Hölle Rache Kocht In Meinem Herzen
Così Fan Tutte: Soave Sia Il Vento
Mozart: Don Giovanni / Act 1 - Là ci darem la mano
Die Zauberflöte, '(The) Magic Flute' K620 (2000 Digital Remaster), ACT 2: Arie: Der Hölle Rache k
Mozart: Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 3 - Sull'aria
Die Zauberflöte K620, Act II: Tamino, wollen wir nicht speisen? (Papageno, Pamina)
Four Last Songs
Humperdinck: Hänsel und Gretel / Act 2 - Abends will ich schlafen gehn
Die Zauberflöte K620, Act I: Herr! Ich bin zwar Verbrecherin! (Pamina, Sarastro)
Don Giovanni, K.527 / Act 1 : Là ci darem la mano
Così fan tutte / Act 1 - Soave sia il vento
Richard Strauss: Four Last Songs - Beim Schlafengehen conclusion
Voi che sapete
Act II, Der Holle Rache Kockt in Meinen Herzen
Song to the Moon (Driving Miss Daisy)
Laudate Dominum
Die Zauberflöte, K.620 '(The) Magic Flute', Act I: Rezitativ & Arie: O zitt're nicht, mein lieber Sohn! (Königin)
Peer Gynt - Incidental Music Op. 23: Prelude (Act IV) (Morning)
Die Zauberflöte K620, Act I: Es lebe Sarastro, Sarastro Lebe! (Chor, Papageno, Pamina)
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 3: Sull'aria - From The Shawshank Redemption
Vesperae solennes de confessore, K. 339: Laudate Dominum
Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): II. September (Hesse)
Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): III. Beim Schlafengehen (Hesse)
Die Zauberflöte: Singspiel in two acts' K620: Schnelle Füße, rascher Mut (Pamina, Papageno, Monostatos, Chorus)

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