Moscow Virtuosi

THE MOSCOW VIRTUOSI STATE CHAMBER ORCHESTRA In 1979 Vladimir Spivakov, an outstanding virtuoso violinist, with a group of his friends and artistic associates, mostly winners of international music competitions, as well as soloists and section leaders of the best Moscow symphonic and chamber orchestras, founded the Moscow Virtuosi Chamber Orchestra. Thus, the highest performance standard was set up from the very moment of the orchestra’s establishment, which justified its claim for a rather ambitious, at a first glance, title of Moscow Virtuosi. Launching artistic groups at an artist's initiative was by no means a common practice in the Soviet Union of those years. Only governmental bodies could authorize the establishment of professional theaters, orchestras and museums. It took Spivakov and his friends several years to prove to the authorities that the orchestra’s professional level and potential were of an order of magnitude higher than those of a great majority of State orchestras that boasted of marvelous conductors and musicians able to glorify any European or US orchestra in the 70s and 80s. Only in 1983 did the Moscow Virtuosi Orchestra gain the official status and the entailed governmental financial support for its performance activities. The same years witnessed an arduous, but joyful consolidation of virtuosi musicians, each being a bright personality, into a world-class, finely-organized musical ensemble with its own performance style and a huge repertoire comprising Bach and Schnittke. The process is not completed up to now, but even in the mid 1980s the main performance and artistic features of the orchestra became evident. A really European manner of ensemble performance, concern for tiny details and nuances, solicitous and creative interpretation of author's concepts, bright artistic talent and love both for the pieces performed and for the audience make the Moscow Virtuosi Orchestra so different from many other chamber orchestras. The orchestra stands away from aesthetic any snobbery and arrogant attitude to listeners, some of whom might have come to the concert quite by chance. To excite the audience emotionally and to enthrall intellectually every listener, even an ignorant one, to endow him with the pleasure of enjoining music masterpieces, to evoke the desire to come to chamber music concerts again are considered by the Moscow Virtuosi as the most important goals. Ever since the chamber orchestra was founded, Vladimir Spivakov, an outstanding violinist and conductor, benefactor and prominent social figure, has been its artistic director, conductor and soloist. Thanks to Maestro Spivakov and the two decades of his activities for the sake of the orchestra, the Moscow Virtuosi is now undoubtedly within the best chamber orchestras of the world with their own grateful audiences everywhere and is enjoying a high reputation that has been acquired by years of persistent and hard work. Since 2003 the Moscow Virtuosi Chamber Orchestra is permanently located and rehearses at the Moscow Performance Arts Centre which was recently built and opened on 26 of December 2002. Next year the Moscow Virtuosi Chamber Orchestra celebrated its 25th anniversary and held the world tour. More at http://mvco.ru Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Violin Concerto No 1 In A Mino
2nd Movement - LARGO MA NON TA
Four Seasons - Spring - Allegro
Mozart, Eine Kleine Nachtmusik, Movement 1
Suite No. 3-Air on the G String (J.S. Bach)
Children of a lesser god - Violin Concerto No 1 In A Minor, 1st Movement - Vivace
Mozart, Eine Kleine Nachtmusik, Movement 2
Concerto, Op. 8, No. 4 Winter-II. Largo (Vivaldi)
The Four Seasons, Op. 8, Summer (Allegro non molto)
Mozart, Eine Kleine Nachtmusik, Movement 3
The Four Seasons Op. 8, Spring
Winter
Mozart, Eine Kleine Nachtmusik, Movement 4
Handel. Concerto for Viola and Orchestra In B Minor. Allegro Mod
Rossini. Sonata No. 1 for Two Violins, Cello and Double-Bass
Suite in the Old Style (Arr. V. Spivakov & V. Milman for Chamber Orchestra): IV. Fugue
Summer3
Summer
Berliner Masse - Sanctus
2. Andante Molto
III. Presto from Sinfonia Concertante in E-Flat, K. 364, for Violin, Viola and Orchestra
Winter: III. Allegro
Concerto in A Major, RV 158: III. Allegro
Suite in the Old Style (Arr. V. Spivakov & V. Milman for Chamber Orchestra): I. Pastorale
2nd Movement - Largo ma non tanto
Duet for Two Violins, Op. 5 No. 2: 3. Menuetto
Suite/Overture No. 4, in D BWV 1069
Cantus in memoriam Benjamin Britten
Suite No. 3: Air on the G String - Bach
Alfred Schnittke / Konzert fьr Klavier und Streichorchester
Suite/Overture No. 3, in D BWV 1068
Concerto Grosso in D Minor, RV 565: III. Allegro molto
3rd Movement - Allergo
Fiddler On The Roof, Musical: Fiddler Suite: If I Were...
Suite in the Old Style (Arr. V. Spivakov & V. Milman for Chamber Orchestra): III. Minuet
Symphony No 28 in C Major, KV. 200: I. Allegro spirituoso
Autumn: II. Adagio molto
Sofia Gubaidulina / Sieben Worte fьr Violoncello, Bajan und Streicher: 1
Sofia Gubaidulina / Sieben Worte fьr Violoncello, Bajan und Streicher: 2
Sofia Gubaidulina / Sieben Worte fьr Violoncello, Bajan und Streicher: 3
Sofia Gubaidulina / Sieben Worte fьr Violoncello, Bajan und Streicher: 4
Rodion Schedrin / Musik fьr die Stadt Kцthen: Allegro moderato
Rodion Schedrin / Musik fьr die Stadt Kцthen: Andante
Allegro (as used for Crosse & Blackwell)
Vivaldi: Adagio from Summer (Concerto No. 2)
Symphony No 28 in C Major, KV. 200: II. Andante
Suite Overture No. 4, in D BWV 1069
If I Were A Rich Man
Langsamer Satz
I. Pastorale

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