Orlando Cachaito Lopez

Orlando "Cachaito" López (1933-2009) was a Cuban bassist, who had gained international attention especially since his involvement in the Buena Vista Social Club recordings. He was nicknamed Cachaito ("little Cachao") after his uncle, the famous bassist and innovator of mambo music Israel "Cachao" López. Born in Havana, Cuba in 1933, Orlando "Cachaito" López first got actively involved in music when he was only nine years old. By the age of eleven he was involved with an orchestra with his aunt. His early desire was to play the violin, but his Grandfather Pedro insisted he to took up the double bass, as there had been a long tradition of bassists in the López family - legend has it that there are over 30 bassists in its lineage; a trend that they did not want stopped.[1] He started learning the double bass on a cello, quickly moving onto a double bass when he was large enough. His musical career is said to have started when he was twelve, and at the age of 13, Cachaíto composed his first piece, a danzón called Isora Infantil. By the time he was 17 he replaced his uncle as the bassist with Arcana y sus Maravillas, a band that had been around since before Cachiato was born. He made such an impression on the group that he was asked to stay. In the 1950s, he helped create the descarga style of music that is a mix between jazz-styled improvisation with Afro-Cuban rhythms, and by 1957 he was playing with the hugely popular Havana dance band, Orquesta Riverside. In the 1960s, he became a bassist with the National Symphony,[2] and was also a key member of Irakere, a Cuban experimental band that combined pop, classical, Cuban folk, African and jazz influences. He was also a member of the Buena Vista Social Club (appearing in Wim Wenders' documentary "Buena Vista Social Club"[3]), a formal, upper class social club for young people to drink and dance. He was the only member to appear in all of the band's recordings. After a career spanning some 60 years, Cachaito is still touring and recording (including playing bass as part of a Cuban touring group also featuring Guajiro Mirabal, Aguajé Ramos and Manuel Galbán[4]), and many consider him to be one of the finest bassists in Cuba. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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A Gozar el Tumbao
Cachaito In Laboratory
Wahira
Conversacion
La Negra
Oracion Lucumi
Anais
Tumbao No. 5
Tumbao No. 5 (Para Charlie Mingus)
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Ana?s
Mis Dos Pequeńas
Redención
Conversación
Tumbao No5
Tumbao N° 5 (Para Charlie Mingus)
Orancion Lucumi
Tumbao No.5 (Para Charlie Mingus)
Tumbao No 5 (Para Charlie Mingus)
Tumbao No. 5 (para Charlie Min
Oración Lucumí
Siempre Con Swing (Intro)
Mis Dos Pequeñas (feat. Angá Díaz, Amadito Valdés, Carlos González & Manuel Galbán)
Mis Dos Pequeñas (feat. Anga Diaz, Amadito Valdes, Carlos Gonzalez & Manuel Galban)
Pablo Picasso
Mis Dos Pequeñas (feat. Anga Diaz, Amadito Valdes, Carlos Gonzalez, Manuel Galban)
Tumbao N?5 (Para Charlie Mingus)
Tumbao No5 (Para Charlie Mingus)
Siempre con swing (Intro.)
Cachaito In Laboratory (feat. Anga Diaz, Amadito Valdes, Carlos Gonzalez & Manuel Galban)
Redención (feat. Angá Díaz, Amadito Valdés, Carlos González & Manuel Galbán)
Tumbao no 5
Tumbao n° 5 (para Charlie Ming
Redencion - Orlando Cachaito Lopez
Oración lucumi
Redención (feat. Angá Díaz, Amadito Valdés, Carlos González Manuel Galbán)
Redencion (feat. Anga Diaz, Amadito Valdes, Carlos Gonzalez & Manuel Galban)
Mis Dos Pequeсas
Cachaito in Laboratory (feat. Angá Díaz, Amadito Valdés, Carlos González & Manuel Galbán)
Tumbao No.5
Anaïs
Tumbanga (feat. Anga Diaz, Amadito Valdes, Carlos Gonzalez & Manuel Galban)
A Gozer el Tumbaq
Redencion (feat. Anga Diaz, Amadito Valdes, Carlos Gonzalez, Manuel Galban)
A Gozar El Tumbao (feat. Anga Diaz, Amadito Valdes, Carlos Gonzalez & Manuel Galban)
Mis Does Prequenas

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