Philippe Herreweghe

Philippe, Knight Herreweghe (Born May 2, 1947) is a Belgian conductor. Herreweghe was born in Ghent. In his hometown he combined studies at the University of Ghent (medical science and psychiatry) with a musical education at the Conservatory, where Marcel Gazelle, Yehudi Menuhin's accompanist, was his piano teacher. In the same period he began conducting and in 1970 founded the Collegium Vocale Ghent, and gave up medicine. Very soon Nikolaus Harnoncourt and Gustav Leonhardt took notice of his musical approach, and invited him and the Collegium Vocale Ghent to join them in their recordings of the complete Bach cantatas. Philippe Herreweghe (fee-LEEP HEHR-uh-way-zhuh)'s authentic approach to baroque music came to be widely recognized, and in 1977 he founded another ensemble in Paris, La Chapelle Royale, to perform the music of the French Golden Age. Since then he has started several other groups and ensembles with whom he managed to create a repertoire stretching from the Renaissance to contemporary music: the Ensemble Vocale Européen, specialised in Renaissance polyphony, and the Orchestre des Champs Elysées, founded in 1991 to bring alive, once again, the repertoire of the romantic and pre-romantic era on original instruments. He is principally known as a conductor of Johann Sebastian Bach, the German composer who wrote over one thousand works. He is regarded by leading Bach scholars today as a founding father of the baroque authentic practice, original instrument movement and one of record label Harmonia Mundi's most prolific recording artists, with over sixty albums to his name. As a guest conductor, Philippe Herreweghe has conducted a number of well known orchestras including the Concertgebouw Orchestra, Amsterdam, the Stavanger Symphony Orchestra, the Rotterdam Philharmonic, the Dutch Broadcasting Orchestra, the Mahler Chamber Orchestra, the Berlin and Vienna Philharmonic, and the Royal Flemish Philharmonic. Philippe Herreweghe was artistic director of the Festival of Saintes in 1982 and voted European Musician of the Year in 1990. Since 1998, he is artistic director of the Royal Flemish Philharmonic. Among his principal recordings are: * Mozart, Requiem, Collegium Vocale and La Chapelle Royale, Harmonia Mundi, 1997 * Bach, Magnificat, La Chapelle Royale, Harmonia Mundi, 1999 * Bach, Matthäus-Passion (St Matthew Passion), Collegium Vocale, Harmonia Mundi, 1999 * Rameau, Les Indes Galantes, La Chapelle Royale, Musique d'Abord, 2000 * Bach, St. John Passion, Collegium Vocale, Harmonia Mundi, 2003 * Beethoven, Symphony no. 9, Harmonia Mundi, 2003 * Brahms, Ein deutsches Requiem Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto (Allegretto) – Trio
Symphony No. 41 in C Major, K. 551 Jupiter: III. Menuetto (Allegretto) – Trio
Symphony No. 5 in C minor, Op. 67: III. Scherzo: Allegro -
Les Indes Galantes: Air Des Sauvages
Motet « Jesu, meine Freude » for 5 voices, BWV 227: I. Choral: Jesu, meine Freude
Johannes-Passion, BWV 245, II. Teil: 39. Chorus Ruht wohl, ihr heiligen Gebeine
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
Sérénade No. 10 Gran Partita K.361, en Si Bémol Majeur: III. Adagio
Matthäus-Passion, BWV 244, Erster Teil: 1. Chorus I II Kommt, ihr Töchter, helft mir klagen
Motet « Jesu, meine Freude » for 5 voices, BWV 227: II. Es ist nun nichts
Motet « Jesu, meine Freude » for 5 voices, BWV 227: III. Choral: Unter deinem Schirmen
Motet « Jesu, meine Freude » for 5 voices, BWV 227: V. Trotz dem alten Drachen
Motet « Singet dem Herrn ein neues Lied » for double chorus, BWV 225: I. Singet dem Herrn ein neues Lied
Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio
Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison
Symphony No. 8 in F major, Op. 93: IV. Allegro molto
J.S. Bach: Christmas Oratorio BWV 248: Jauchzet, frohlocket, auf, preiset die Tage!
Symphony No. 8 in F major, Op. 93: II. Allegro scherzando
Motet « Jesu, meine Freude » for 5 voices, BWV 227: IX. Choral: Gute Nach, o Wesen
Motet « Komm, Jesu, komm » for double chorus, BWV 229: I. Komm, Jesu, komm
Motet « Jesu, meine Freude » for 5 voices, BWV 227: VI. Ihr aber seid nicht fleischlich
Motet « Jesu, meine Freude » for 5 voices, BWV 227: IV. Denn das Gesetz
Motet « Singet dem Herrn ein neues Lied » for double chorus, BWV 225: III. Lobet den Herrn
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
Motet « Jesu, meine Freude » for 5 voices, BWV 227: VII. Choral: Weg mit allen Schätzen
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt)
Matthäus-Passion, BWV 244, Erster Teil: 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen
Matthäus-Passion, BWV 244, Erster Teil: 8. Aria (Sopran) Blute nur, du liebes Herz
Feria Quinta, Tenebrae Responsories for Maundy Thursday: I. In monte Oliveti
Motet « Jesu, meine Freude » for 5 voices, BWV 227: VIII. Andante: So aber Christus in euch ist
Motet « Singet dem Herrn ein neues Lied » for double chorus, BWV 225: II. Choral: Wie sich ein Vat'r erbarmet – Aria: Gott nimm dich ferner unser an
Motet « Jesu, meine Freude » for 5 voices, BWV 227: X. So nun der Geist
Stabat Mater dolorosa
Motet « Komm, Jesu, komm » for double chorus, BWV 229: II. Aria: Drum schliess ich mich in deine Hände
Weihnachtsoratorium, BWV 248, Pt. 4: No. 36, Chor. Fallt mit Danken, fallt mit Loben
St. Matthiew Passion, BWV 244: Erbarme dich (Aria)
Motet « Jesu, meine Freude » for 5 voices, BWV 227: XI. Choral: Weicht, ihr Trauergeister
Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro
Magnificat, BWV 243a: I. Magnificat anima mea
Motet « Lobet den Herrn, alle Heiden » for 4 voices, BWV 230
Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea
Motet « Fürchte dich nicht, ich bin bei dir » for double chorus, BWV 228
Mass in B minor BWV 232, Missa: Gloria in excelsis (chorus)
Symphony No. 8 in F major, Op. 93: III. Tempo di minuetto
Ave Maria
Stabat Mater, Op. 58: I. Stabat Mater dolorosa (Quartet, Chorus), andante con moto
Agnus Dei
Symphony No. 5 in C minor, Op. 67: IV. Finale: Allegro
Sanctus
Motet « Der Geist hilft unser Schwachheit auf » for double chorus, BWV 226: I. Der Geist hilft unser Schwachheit auf

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