Thomas Quasthoff

Thomas Quasthoff (born in Hildesheim, Germany, November 9, 1959) is a German bass-baritone generally regarded as one of the finest singers of his generation. Although his reputation was initially based on his performance of Romantic lieder, Quasthoff has proven to have a remarkable range from the Baroque cantatas of Bach to solo jazz improvisations. Quasthoff was born with serious birth defects caused by his mother's exposure during pregnancy to the drug thalidomide which was prescribed as an antiemetic to combat her morning sickness. Thomas Quasthoff is unusually short (about four feet tall) due to shortening of the long bones in his legs, and he has phocomelia of the upper extremities with very short or absent long bones and flipper-like appearance of his hands. Quasthoff was denied admission to the music conservatory in Hannover, Germany due to his physical inability to play the piano, then a requirement for entry to the conservatory. He chose to study voice privately. He also studied law for three years. Prior to his music career, he worked six years as a radio announcer for NDR. He also did voice-over work for television. His music career was launched in 1988 when he won an important competition in Munich, earning praise from the baritone Dietrich Fischer-Dieskau. In 2003, he made his staged operatic debut as Don Fernando in Simon Rattle's Beethoven's Fidelio at the Salzburg Festival. His San Francisco Symphony debut took place September 2004. Thomas Quasthoff won the Grammy Award for Best Classical Vocal Performance in 2000. It was for his performance together with the soprano Anne Sofie von Otter of Mahler’s Lieder aus "Des Knaben Wunderhorn". They were accompanied by the Berlin Philharmonic conducted by Claudio Abbado. He won the Grammy Award for Best Classical Vocal Performance for the second time in 2004. It was for Schubert: Lieder with Orchestra which Quasthoff performed with von Otter and the Chamber Orchestra of Europe conducted by Abbado. Quasthoff won the Grammy Award for Best Classical Vocal Performance for the third time in 2006 with Rainer Kussmaul leading members of the RIAS Chamber Choir of Berlin Baroque Soloists in their recording of J.S.Bach: Cantatas. Additionally, Quasthoff's recordings of the songs of Brahms, Liszt and Schubert accompanied by pianist Justus Zeyen were nominated for the Grammy in 2000 and 2001. Thomas Quasthoff records for Deutsche Grammophon. Quasthoff is a full-time voice professor and performs only about 50 times a year. He was a professor at the music academy of Detmold, Germany. He currently teaches at the Hanns Eisler School of Music in Berlin. For the 2006-2007 concert season, Quasthoff was one of Carnegie Hall's "Perspectives" artists. However, illness forced him to cancel his first two appearances in that capacity. In 2006 he took his first jazzalbum, "The Jazzalbum - Watch what happens", with Till Brönner, Alan Broadbent, Peter Erskine, Dieter Ilg and Chuck Loeb. In the spring of 2012, Quasthoff announced his retirement at the age of 52. During an interview with the German magazine, Der Spiegel, Quasthoff said that his retirement was due to grief at the death of his brother, as well as a recent bout of laryngitis. He also went on to speak that he was now satisfied that the world had not just listened to his art due to his physical challenges, but that his art was truly respected for itself. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Ac-Cent-Tchu-Ate The Positive
Secret Love
Ein deutsches Requiem (A German Requiem) Op.45: I. Selig sind, die da Leid tragen (Ziemlich langsam)
Watch What Happens
My Funny Valentine
You And I
They All Laughed
Ein deutsches Requiem (A German Requiem) Op.45: II. Denn alles Fleisch es ist wie Gras (Langsam, marschmässig)
Nice 'N' Easy
In My Solitude
I've Grown Accustomed to Her Face
Ein deutsches Requiem (A German Requiem) Op.45: III. Herr, lehre doch mich (Andante moderato)
Ein deutsches Requiem (A German Requiem) Op.45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)
Imagine
Ein deutsches Requiem (A German Requiem) Op.45: V. Ihr habt nun Traurigkeit (Langsam)
Ein deutsches Requiem (A German Requiem) Op.45: VI. Denn wir haben hie keine bleibende Statt (Andante)
I Can't Stand The Rain
Ein deutsches Requiem (A German Requiem) Op.45: VII. Selig sind die Toten (Feierlich)
Smile
But Not for Me
There's A Boat That's Leavin' Soon For New York
Erlkönig, Op. 1
There's A Boat Dat's Leavin' Soon For New York
eins und eins, das macht zwei
Smile (Final Theme from the Motion Picture Modern Times) - Arranged by Nan Schwartz
Der Musensohn, Op. 92/1, D. 764: Durch Feld und Wald zu schweifen
What are you doing the rest of your life? - Arranged by Nan Schwartz
Have A Little Faith In Me
Ain't No Sunshine
Can't We Be Friends?
Lost Mind
Short People
Georgia On My Mind
Rainy Night In Georgia
What are you doing the rest of your life?
The Seventh Son
Kissing My Love
Please Send Me Someone To Love
Gute Nacht
Have A Talk With God
The Whistleman
Tell It Like It Is
Rider In The Rain
Winterreise, D. 911: Der Leiermann
Can't We Be Friends - arranged by Alan Broadbent
Dichterliebe, Op. 48: Im wunderschönen Monat Mai, Op. 48/1
Wie Todesahnung... O du mein holder Abendstern (Wolfram)
Cry Me a River
Moonglow
Die Wetterfahne

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