Véronique Gens

Véronique Gens (born April 19, 1966, Orléans, France) is a French soprano. She has spent much of her career recording and performing Baroque music. Gens studied at the Conservatoire de Paris and won first prize of the school. Her debut in 1986 was with William Christie and his Les Arts Florissants. She has since worked with Marc Minkowski, René Jacobs, Christophe Rousset, Philippe Herreweghe, and Jean-Claude Malgoire. While she started out as a Baroque specialist, she has become in demand for roles in Mozart operas, and an interpreter of songs by Berlioz, Debussy (see also Beau Soir), Fauré and others. Her numerous recordings include many works by Mozart and Purcell, as well as Joseph Canteloube's Chants d'Auvergne and Berlioz' Nuits d'Ete. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

soprano opera Classical vocal baroque



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Stabat Mater pour soprano, contralto, corders et basse continue: Stabat Mater dolorosa
Wolfgang Amadeus Mozart Le Nozze Di Figaro (The Marriage Of Figaro) Opera K 492 (Act 2 voi Che Sapete Che Cosa E Amor)
Stabat Mater pour soprano, contralto, corders et basse continue: Eja Mater, fons amoris
La Belle Arsène: Aria. Où suis-je ?…
Hippolyte Et Aricie: Acte III, Scène 1 - Air De Phèdre: Cruelle Mère Des Amours
Après un rêve Op. 7 No. 1 (Romaine Bussine)
Dido And Aeneas, Opera, Z. 626 (Act 3 'When I Am Laid In Earth' [Dido])
No. 1, Introduction
No. 2, Allô, allô…
Etudes latines: Néère
Geneviève: Introduction, récitatif et air de Geneviève Seigneur ! Est-ce bien moi que vous avez choisie ?
No. 3, Allô ! C'est toi ?
Ariane dans l'isle de Naxos: Scene. Mais Thésée est absent…
Salve Regina pour contralto et cordes en F minor: Ad te clamamus
Stabat Mater pour soprano, contralto, corders et basse continue: Vidit suum dulcem Natum
Don Giovanni: Overtura
Le Bourgeois gentilhomme, LWV 43: Canaries
Chanson Triste
La Clemenza di Scipione, Op. 14: Duo Me infelice che intendo…
Médée - Acte II, Scène 4 - Air de Néris: Ah! Nos Peines seront communes
No. 4, Hier soir, je me suis couchée tout de suite
Pergolesi: Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa (Soprano, Alto)
Sept mélodies, Op. 2: 6. Hébé
Circée: Air Désirs, transports
Amadis, LWV 63: Air Toi qui dans ce tombeau
Don Giovanni, ATTO 1: Ah! del padre in periglio
Alceste, Wq. 44: Aria. Divinités du Styx…
Castor et Pollux: Acte I, scène 3 - Air de Télaïre: Tristes apprêts
Trois jours de vendange
A Chloris
Lalla-Roukh: Air de Lalla-Roukh Sous le feuillage sombre
No. 5, Allô, chéri… si on coupe, redemande-moi tout de suite
Romance de Mignon
No. 6, Quelle comédie ?
Armida abbandonata HWV105: Aria: In tanti affermi miei
Don Giovanni, ATTO 1: Madamina, il catalogo è questo
Don Giovanni, ATTO 1: Fuggi, crudele, fuggi
La Clemenza di Tito, Wq. 16: Aria. Se mai senti…
Don Giovanni, ATTO 1: Notte e giorno faticar
Don Giovanni, ATTO 1: Leporello, ove sei?
No. 7, Souviens-toi du dimanche de Versailles
Armide: Passacaille
Les Béatitudes: Mater dolorosa Moi, du sauveur, je suis la mère
Les Nuits d'été Op. 7: Villanelle
Pergolesi: Stabat Mater in F Minor, P. 77: VI. Vidit suum dulcem Natum (Soprano)
Armida abbandonata HWV105: Recit: Ma che parlo, che dice?
Fanny Morna, ou l'Écossaise: Aria. Ô divinité tutélaire…
Chants d'Auvergne, Vol. 1: No. 2. Bailero
Les Grandes Motets: Tunc repletum est gaudio nostrum
Don Giovanni, ATTO 1: Orsu, spicciati presto

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