Walter Berry

Walter Berry (8 April 1929 – 27 October 2000) was an Austrian bass-baritone who enjoyed a prominent career in opera. Walter Berry was born in Vienna. He studied voice at the Vienna Music Academy and made his stage debut with the Vienna State Opera in 1947. He became a permanent member of the company in 1950, remaining with that ensemble for his entire career, although he undertook frequent guest appearances elsewhere in Europe and in the UK. He made many memorable appearances at the Metropolitan Opera in New York City during the 1960s and '70s in such roles as Barak in Die Frau ohne Schatten, Telramund in Lohengrin, Wotan in Die Walküre, Baron Ochs in Der Rosenkavalier, Don Pizarro in Fidelio, Don Alfonso in Così fan tutte, the Music Master in Ariadne auf Naxos and Leporello in Don Giovanni. He sang his last Barak on 18 November 1984. Berry's other signature roles were Papageno in Mozart's The Magic Flute, Figaro and Bluebeard. He was also a noted interpreter of lieder (accompanied often at recitals by the German pianist Sebastian Peschko). Berry appeared, too, in choral works. Performing in light-hearted operettas, particularly Die Fledermaus, was one of his pleasures. Astonishingly, Berry never played on stage in London the role with which he perhaps became most closely linked, Papageno, despite a career on stage that spanned more than 40 years. Berry lent his talents to many highly regarded recordings, including the EMI Classics versions of The Magic Flute (as Papageno) and Beethoven's Fidelio (as Don Pizarro). He married the leading mezzo-soprano Christa Ludwig in 1957; they divorced in 1970. He died in 2000, aged 71, in Vienna. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Die Zauberflöte, K.620: Act 1 - Der Vogelfänger bin ich ja
St. Matthew Passion, BWV 244 / Part Two : No.75 Aria (Bass): Mache dich, mein Herze, rein
Mozart / Der Vogelfanger bin ich ja (Die Zauberflote)
Wolfgang Amadeus Mozart - Der Vogelfanger bin ich ja (Die Zauberflote)
Die Zauberflöte, K.620: Act 1 - Schnelle Füße, rascher Mut
Die Zauberflöte, K.620: Act 1 - Es lebe Sarastro! Sarastro lebe!
St. Matthew Passion, BWV 244 / Part Two : J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 75 Aria (Bass): Mache dich, mein Herze, rein
Die Zauberflöte, K.620: Act 2 - Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut
Die Zauberflöte, K.620: Act 2 - Ein Mädchen oder Weibchen
Die Zauberflöte: Singspiel in Two Acts K. 620, Act I.: Der Vogelfänger Bin Ich Ja (Papageno)
Soave sia il vento (Fiordiligi/Dorabella/Don Alfonso)
Die Zauberflöte, K 620 - Act 1: Der Vogelfanger Bin Ich Ja
Die Zauberflöte, K.620: Act 2 - Papagena! Papagena!
Die Schöpfung Hob. XXI:2 / Erster Teil-1b. Rezitativ mit Chor: Im Anfange schuf Gott Himmel und Erde
Die Schöpfung Hob. XXI:2 / Zweiter Teil-21. Rezitativ: Gleich öffnet sich der Erde Schoß (Raphael)
Die Schöpfung Hob. XXI:2 / Zweiter Teil-22. Arie: Nun scheint in vollem Glanze der Himmel (Raphael)
Die Schöpfung Hob. XXI:2 / Erster Teil-6. Arie: Rollend in schäumenden Wellen
Die Zauberflöte, K 620 - Act 2: Pa, Pa-Gena! Pa-Pa-Geno!
Mozart: Die Zauberflote (Act1) : Der Vogelfanger bin ich ja (Papageno)
St. Matthew Passion, BWV 244 / Part One: No.29 Aria (Bass): Gerne will ich mich bequemen
Die Zauberflöte, K 620 - Act 2: Ein Mädchen Oder Weibchen
Madamina, II Catalogo E Questo Don Giovanni
Grosse Messe in C-Moll, KV. 427 'Kyrie'
St. Matthew Passion, BWV 244 / Part One: No.28 Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
Der Vogelfanger bin ich ja
Grosse Messe in C-Moll, KV. 427 'Laudamus te'
St. Matthew Passion, BWV 244 / Part Two: No.66 Aria (Bass): Komm, süsses Kreuz
St. Matthew Passion, BWV 244 / Part Two: No.75 Aria (Bass): Mache dich, mein Herze, rein
St. Matthew Passion, BWV 244 / Part Two: No.74 Recitative (Bass): Am Abend, da es kühle war
St. Matthew Passion, BWV 244 / Part Two: No.51 Aria (Bass): Gebt mir meinen Jesum wieder
St. Matthew Passion, BWV 244 / Part Two : J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.75 Aria (Bass): Mache dich, mein Herze, rein
Die Zauberflöte (The Magic Flute), K. 620, Act 2: Ein Mädchen oder Weibchen
'St Matthew Passion' BWV244 (1989 Digital Remaster), PART I: Nr.1 Chor: Kommt, ihr Töchter
モーツァルト: 「魔笛」, 第1幕 - おれは鳥刺し
Mozart: Die Zauberflöte, K.620 / Act 2 - Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
Die Zauberflöte, K.620 / Act 2 : Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
Haydn: Die Schöpfung Hob. XXI:2 / Erster Teil - 1b. Rezitativ mit Chor: Im Anfange schuf Gott Himmel und Erde
Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis'
Grosse Messe in C-Moll, KV. 427 'Gratias'
Grosse Messe in C-Moll, KV. 427 'Et incarnatus est'
Grosse Messe in C-Moll, KV. 427 'Domine'
Grosse Messe in C-Moll, KV. 427 'Qui tollis peccata mundi'
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Aria (Bass): Gerne will ich mich bequemen
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
Grosse Messe in C-Moll, KV. 427 'Credo in un unum deum'
Die Zauberflöte (The Magic Flute), opera, K. 620
Grosse Messe in C-Moll, KV. 427 'Sanctus'
St. Matthew Passion, BWV 244 / Part Two : J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 7
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Aria (Bass): Gebt mir meinen Jesum wieder

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